Home :: Books :: Mystery & Thrillers  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs
Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History
Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers

Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical
Reference
Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
The Knowledge of Water

The Knowledge of Water

List Price: $6.99
Your Price: $6.29
Product Info Reviews

<< 1 >>

Rating: 3 stars
Summary: Too many soggy plots weigh down 'Water'
Review: I am a firm believer that an author should never try to write the same story over and over again just to sell books. Therefore, I was happy to read the other reviews, though negative, of Knowledge of Water. They told me that although Sarah Smith carried characters from The Vanished Child over to this book, it would not be just a rehash of the first one.

However, even if one does not compare the content of the two books, the first one is far superior, as all events turn on the central thread of the novel, the story of the 'vanished child'.

Smith chose as her central thread here the Paris flood of 1910. However, that thread frays early on, leaving too many scattered ends drifting like flotsam in the flooded Seine.

Once again, Alexander Von Reisden is the anti-hero of the story, along with Perdita, his partially sighted fiancee, who dreams of a career as a concert pianist. Perdita knows that she ultimately cannot commit to marriage, as she will one day leave to follow her passion. Reisden, still haunted by the death of his first wife (events described in Vanished Child) is content to simply let the relationship carry on as is; the same as Perdita. But, even though both feel that there is no real future for their love, passion eventually overtakes them.

Enter Roy Dougherty, police officer and friend from home (Boston) who quite correctly deduces that the relationship has progressed to being far from platonic, with the usual consequences.

Reisden is called in for questioning in the matter of a dead girl, the 'Mona Lisa'. He aides the police as much as possible, since he knew the girl in passing, and begins receiving notes asking him to 'do right by her' and see that she is 'taken care of'. Reisden and the police deduce that it is her killer making these requests, and set out to trap him.

Perdita, as well as Reisden, is drawn into an art forgery investigation, along with Dougherty, headstrong writer Milly Xico, and Reisden's 'cousin' Dotty, all convinced that Dotty's 'original Mallais painting' is nothing of the sort. Perdita takes up residence next to the widow Mallais and her shut-in brother Yvaud, befriending the kindly old woman, and soon learns that not all is as it seems.

The book is well written, but the story is what suffers from a lack of development. The central thread of this book seems to bounce back and forth. The flood; the art forgery; the dead girl; the well-meaning killer; Perdita's musical career; Reisden's mental clinic....too many focal points for one story. While I enjoyed the author's style and brand of prose once again, I was sad to see that nothing gelled into a main storyline, at least not for me. Most conflicts are resolved by the last page, but...with so many different story threads, it is hard to really enjoy any of them completely. Just when you are drawn in to one particular sub-plot the story shifts to another.

I eagerly await reading the third novel in the trilogy, A Citizen of the Country, as the reviews and book description all praise it highly.

I can only give this book 3 stars, however, and in comparison with part 1, it pales. Hopefully part 3 will even the score.

Rating: 5 stars
Summary: I'd take this book to a desert island
Review: I just finished Sarah Smith's The Knowledge of Water. Absolutely incredible, with passages at the end that are worth reading, and reading again, and then stopping to savor. It's a book about passion, and in particular the passion for one's art, one's calling, and how people honor that passion in the context of a whole life -- not "fit it in," because passion cannot be accommodated, does not fit comfortably around the edges -- and it's about how expectations twist people's lives. And it's about women, their expectations for themselves, men's expectations, about the choices they make, about what it does to a person to give up her truth in order to do the laundry and buy the groceries and raise the children.

There are no bad guys in this book. There is a pianist who loves a man, but who for days leading up to her first public performance forgets to write to him. There is a doctor who gets caught up in saving his hospital and forgets that he has left his bride-to-be in a cheap hotel. There is, yes, a wedding that comes off in a paragraph, because the story is not about weddings but about marriage, of which the wedding is only an incidental part. There are discussions of love and risk and art and truth and forgery. I think -- although I won't know for years -- that this book will bear reading and re-reading, and may be one of the ten books that I would take to a desert island.

I was reading this book in Penn Station, waiting for a train, and had to sit down on the floor because I was so far into the book that I was beginning to lose track of where I was.

Rating: 2 stars
Summary: It is not what I expected
Review: I was very disappointed with the Knowledge of Water. There are too many unnecessary characters, too many story lines that do not seem to come together at the end. Even main characters were not well developed. The story is too factual. Do read the Vanished Child! It is wonderful! Don't bother with the Knowledge of Water.


<< 1 >>

© 2004, ReviewFocus or its affiliates