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Rating: 
Summary: Blackburn's Approach to Metaethics Summarized
Review: Blackburn is one of the main figures in contemporary metaethics, and this is his big book on the issues. He tries to lay out the general details of his approach to ethics here, so it's a book that's essential reading for anyone interesting in metaethics. And it's a book that's slowly grown on me as I've studied it. That said, it's evasive and frustrating at places, and it's longer than it needs to be. Blackburn spends too much time on extraneous stuff, and provides too little detail about the absolutely crucial material in the first, third, and ninth chapters. These are the chapters in which Blackburn lays out the fundamentals of his favored form of noncognitivism, explains the nature of the quasi-realist project, and attempts to answer the objection that his views lead to subjectivism or relativism. Furthermore, there's just not enough engagement with the literature in large parts of this book--the obvious exception being chapter 4, which may be the book's best chapter. (For those who'd like a better introduction to Blackburn's views in ethics, I'd recommend chapters 5 and 6 in his earlier Spreading the Word; and the essays on metaethics in Essays in Quasi-Realism are probably provide a better account for the expert.) Here's a recap of what goes on in the main chapters here. Not much of signal importance happens in chapter 1, but Blackburn very briefly explains why he thinks ethics is essentially practical and tries to say a bit about the sort of emotional and attitudinal states that are relevant to ethics. Chapter 3, which is the heart of the book, gives us the basics of Blackburn's expressivism, introduces quasi-realism, and takes up some challenges to it (e.g. unasserted contexts, motivational externalism, moral truth and moral facts, etc.). Chapter 4 is Blackburn's attack on all forms of cognitivism and moral realism; he argues against reductivist realisms, Cornell realism, and McDowell's and Wiggins's views. Chapters 7 and 8 are concerned with the respective places of reason and sentiment in ethics; Blackburn's on the side of sentiment. Chapter 9 is his attempt to answer challenges to expressivism alleging that it leads to subjectivism or relativism. And there is a very helpful appendix that clarifies what Blackburn takes his quasi-realist project to be and why he thinks expressivism is preferable to other metaethical views. The remaining chapters are interesting, but inessential. The discussion of issues in normative ethics in chapter 2 is underdeveloped and largely unnecessary. Blackburn comes out in favor of consequentialism on the grounds that virtue theories and deontological theories need to appeal to consequentialist considerations in order to make sense of virtues and duties. The material about egoism and game theory in chapters 5 and 6 is true and important--though none of it is terribly original and it's hard to see why it plays a crucial role here. With all that out of the way, I'll try to put some philosophical meat on the bone by outlining what I take to be Blackburn's central metaethical views. First, Blackburn's expressivism. Blackburn's expressivism is a noncognitivist account of moral language; it claims that moral language is (primarily) used to express attitudes. If theory is correct, our moral practice is guided by the aim of expressing our own attitudes about parts of the natural world and coordinating our attitudes with those of other people. Consequently, we do not need to posit moral facts, nor do we need to posit any special faculty for arriving at moral knowledge. The aim of Blackburn's project is pretty straightforward: Blackburn's is a project of naturalizing ethics. He wants to understand ethical thought and language as part of a naturalistic conception of human nature. The most obvious way to naturalize ethics would be to attempt a reduction of the moral to the natural. But this isn't the route that Blackburn takes. Indeed, his expressivism is inconsistent with taking this approach to reconciling moralizing with his naturalism. Blackburn thinks we ought to "synthesize" moral propositions in order to understand moralizing naturalistically. And synthesizing the moral proposition is not a matter of reducing it to anything else; it is a matter of understanding its place within a broader naturalistic account of human beings and of moralizing as a human activity. For Blackburn, then, the emphasis is on explanation rather than reduction. In this explanation the expressivist starts with the activity of moralizing. Why do we have an activity like this? What naturalistic explanation do we have for the practice of moralizing and for the existence of moral language and thought? Starting with answers to these questions amounts to synthesizing the moral proposition rather than analyzing it. We don't begin with ordinary moral claims and try to find some natural facts that make them true or false. Rather, we begin with a naturalistic account of the world and our place within it, and we try to explain why we think morally and why we use moral language in the way we do. Now, it's not that those who aren't expressivists cannot offer any explanation of moralizing. The problem for cognitivists is that there's a central and essential element of morality they simply cannot explain. According to Blackburn, the cognitivist's explanation cannot account for the practical dimension of morality. Moralizing is a practical activity: that is, it's an activity that leads to and coordinates action in a group of people. There's an essential tie between moralizing and acting, and the cognitivist's explanation appears to leave this out of the picture. Why is it left out? It's open to a person to simply not care about the moral facts. Some people might care about these moral facts but that turns out to be a contingent fact about human psychology. The fundamental virtue of expressivism, Blackburn thinks, is that it alone succeeds in explaining moralizing in a way that is consistent with naturalism, that it alone makes sense of why we moralize in a way that is consistent with the best account of the world and of human beings that is provided by the natural sciences. Expressivism accounts for the essential practicality of moralizing. For moralizing, if the expressivist is right, is primarily a matter of expressing one's attitudes, and attitudes possess a necessary connection to action.
Rating:
Summary: Blackburn's Approach to Metaethics Summarized
Review: Blackburn is one of the main figures in contemporary metaethics, and this is his big book on the issues. He tries to lay out the general details of his approach to ethics here, so it's a book that's essential reading for anyone interesting in metaethics. And it's a book that's slowly grown on me as I've studied it. That said, it's evasive and frustrating at places, and it's longer than it needs to be. Blackburn spends too much time on extraneous stuff, and provides too little detail about the absolutely crucial material in the first, third, and ninth chapters. These are the chapters in which Blackburn lays out the fundamentals of his favored form of noncognitivism, explains the nature of the quasi-realist project, and attempts to answer the objection that his views lead to subjectivism or relativism. Furthermore, there's just not enough engagement with the literature in large parts of this book--the obvious exception being chapter 4, which may be the book's best chapter. (For those who'd like a better introduction to Blackburn's views in ethics, I'd recommend chapters 5 and 6 in his earlier Spreading the Word; and the essays on metaethics in Essays in Quasi-Realism are probably provide a better account for the expert.) Here's a recap of what goes on in the main chapters here. Not much of signal importance happens in chapter 1, but Blackburn very briefly explains why he thinks ethics is essentially practical and tries to say a bit about the sort of emotional and attitudinal states that are relevant to ethics. Chapter 3, which is the heart of the book, gives us the basics of Blackburn's expressivism, introduces quasi-realism, and takes up some challenges to it (e.g. unasserted contexts, motivational externalism, moral truth and moral facts, etc.). Chapter 4 is Blackburn's attack on all forms of cognitivism and moral realism; he argues against reductivist realisms, Cornell realism, and McDowell's and Wiggins's views. Chapters 7 and 8 are concerned with the respective places of reason and sentiment in ethics; Blackburn's on the side of sentiment. Chapter 9 is his attempt to answer challenges to expressivism alleging that it leads to subjectivism or relativism. And there is a very helpful appendix that clarifies what Blackburn takes his quasi-realist project to be and why he thinks expressivism is preferable to other metaethical views. The remaining chapters are interesting, but inessential. The discussion of issues in normative ethics in chapter 2 is underdeveloped and largely unnecessary. Blackburn comes out in favor of consequentialism on the grounds that virtue theories and deontological theories need to appeal to consequentialist considerations in order to make sense of virtues and duties. The material about egoism and game theory in chapters 5 and 6 is true and important--though none of it is terribly original and it's hard to see why it plays a crucial role here. With all that out of the way, I'll try to put some philosophical meat on the bone by outlining what I take to be Blackburn's central metaethical views. First, Blackburn's expressivism. Blackburn's expressivism is a noncognitivist account of moral language; it claims that moral language is (primarily) used to express attitudes. If theory is correct, our moral practice is guided by the aim of expressing our own attitudes about parts of the natural world and coordinating our attitudes with those of other people. Consequently, we do not need to posit moral facts, nor do we need to posit any special faculty for arriving at moral knowledge. The aim of Blackburn's project is pretty straightforward: Blackburn's is a project of naturalizing ethics. He wants to understand ethical thought and language as part of a naturalistic conception of human nature. The most obvious way to naturalize ethics would be to attempt a reduction of the moral to the natural. But this isn't the route that Blackburn takes. Indeed, his expressivism is inconsistent with taking this approach to reconciling moralizing with his naturalism. Blackburn thinks we ought to "synthesize" moral propositions in order to understand moralizing naturalistically. And synthesizing the moral proposition is not a matter of reducing it to anything else; it is a matter of understanding its place within a broader naturalistic account of human beings and of moralizing as a human activity. For Blackburn, then, the emphasis is on explanation rather than reduction. In this explanation the expressivist starts with the activity of moralizing. Why do we have an activity like this? What naturalistic explanation do we have for the practice of moralizing and for the existence of moral language and thought? Starting with answers to these questions amounts to synthesizing the moral proposition rather than analyzing it. We don't begin with ordinary moral claims and try to find some natural facts that make them true or false. Rather, we begin with a naturalistic account of the world and our place within it, and we try to explain why we think morally and why we use moral language in the way we do. Now, it's not that those who aren't expressivists cannot offer any explanation of moralizing. The problem for cognitivists is that there's a central and essential element of morality they simply cannot explain. According to Blackburn, the cognitivist's explanation cannot account for the practical dimension of morality. Moralizing is a practical activity: that is, it's an activity that leads to and coordinates action in a group of people. There's an essential tie between moralizing and acting, and the cognitivist's explanation appears to leave this out of the picture. Why is it left out? It's open to a person to simply not care about the moral facts. Some people might care about these moral facts but that turns out to be a contingent fact about human psychology. The fundamental virtue of expressivism, Blackburn thinks, is that it alone succeeds in explaining moralizing in a way that is consistent with naturalism, that it alone makes sense of why we moralize in a way that is consistent with the best account of the world and of human beings that is provided by the natural sciences. Expressivism accounts for the essential practicality of moralizing. For moralizing, if the expressivist is right, is primarily a matter of expressing one's attitudes, and attitudes possess a necessary connection to action.
Rating: 
Summary: The Horses drive the Chariot
Review: First there was Plato, who argued that Reason must keep a check on all our unruly passions and emotions; then there were the Middle Eastern religions which said moral rules are given to us from on high - they are, for instance, inscribed on tablets of stone brought down from mountains, independent of human minds or involvement; somewhere along the line came Kant who said the application of reason and reason alone will provide us with clear rules for living. Against these traditions of ethical values and moral rules as being somewhow objective, and deriving from reason or an independent authority is (to my taste, anyway) a more common sensical tradition that sees these rules and values as being inextricably human, as deriving from our human conerns, expressed through our emotions, and represented in our social life and practices. We are appalled by the pictures of towers falling, of humans jumping, and we feel great anger even as we feel pity, and we want to do something about it. We don't say to ourselves "how very unreasonable of them". Hume was the great expositor of the importance of the passions and sentiments in ethical thinking, and Blackburn is a worthy defender of our complete humanity.
This is an extraordinarily fine book - learned, witty, elegantly written and as thorough a demolition job on the opposition as one could imagine. But it can't be said it is "an easy read". It is hard philosophy in the best post-analytic tradition and, by neccesity, takes on many able modern philsophers who have argued for different versions of the objectivity of moral value. Read it slowly and carefully, however and, perhaps like me, you will learn a great deal as well as equip yourself for an intelligent defense of the place of emotions in our ethical life.
Rating:
Summary: Important Reading on Practical Reason
Review: I highly recommend this text, especially for those interested in moral psychology, action, and practical reason. The first three chapters especially are written in thoughtful and elegant prose. Superb examples. Blackburn is careful to establish just what the normative issues are in ethics. The final chapters are most interesting in centering debate on relativism, subjectivism, and projectivism. Blackburn adopts a broadly Humean theory of moral motivation. This is one of the most interesting, creatively written, and masterful texts written on this subject in years.
Rating:
Summary: The Horses drive the Chariot
Review: The book is accessible to the lay person and keeps the reader's attention. Perhaps the strongest element of the book is the sense one gets that Blackburn is wrestling with ethical matters in a direct way. That is, he doesn't let scholarship (though when necessary he does cite the relevant materials) get in the way of his analysis. He is at a point in his career where he no longer has to hide behind explication of other philosophers' views and he can simply speak in his own refreshing voice. I especially liked his critique of McDowell (pp. 92-104). His linking of the affective and the intellective is usually well done (throughout but esp. 129). I would like to note a few minor misgivings followed by one major criticism: 1. With precious few exceptions when Blackburn has a point to make it is always in terms of a philosopher from Great Britain. His criticisms of McDowell, Korsgaard and Kant are the almost singular (because unavoidable?) exceptions. Surely his background isn't limited to Hobbes, Locke, Hume, Smith, Hutcheson, Butler, Mill, Hare, Bradley, Moore, Ramsey, Ryle, Wittgenstein, Rhees, Sidgwick, Mackie, Wiggins, Parfit, Dancy, McGinn, Singer, Williams and Rushdie. We frown on French navel gazing. Surely thinkers like Hegel or Nietzsche or Heidegger or Bergson or Sartre have weighed in on any number of topics Blackburn addresses. 2. If the second half of chapter 4 and all of chapter 5 were excised the book would form a tighter argument (or just skip these or read them separately). 3. Blackburn's criticism of Rorty is weak (much like his TNR review of Brandom's book on Rorty). Philosophically, Rorty and Blackburn have far more in common than Blackburn is willing to let on. They are both anti-realists. Where they part company is in their differing assessments of the wisdom of what I call the antirealist's appropriation of the real. Basically, what this project amounts to is an attempt to defang realist critics by saying whatever we arrive at by (at least what used to be called) antirealist means is as "real" as it gets (cf. Arthur Fine). In ethics this reclamation of the real (now "quasi-real") manifests itself in Blackburn's willingness to speak of "truth." But note how deflationary his account of truth gets (p. 318). "Applied to ethics, this means that I can deem us to know, for example, that kicking babies for fun is wrong, because I rule out the chance of any improvement reversing that view" (p. 319). "I believe that the primary function of talking of 'knowledge' is to indicate that a judgement is beyond revision" (p. 318). So Rorty is a "weightless aesthete" because he isn't willing to be as belligerent as Blackburn (though Rorty's endorsement of what he perhaps more accurately calls "frank ethnocentrism" and his endorsement of the cautionary uses for truth undercut even this putative difference). One suspects Blackburn is merely bent out of shape over Rorty's flouting of Oxbridge gentility and is letting his passions rule. My main difficulty with the book is already there in the title. How can passions rule? Hume who (along with Smith and Gibbard) for most of the book is Blackburn's hero had a different take on the passions. Briefly, Hume in his metaphysical and epistemological writings was (like his pre-Kantian predecessors) wedded to a vocabulary of mental contents. Hume's epistemological and metaphysical project on his own admission fell apart when he recognized he had to account for mental ACTIVITIES. A similar difficulty besets Hume's account of sentiments (Blackburn acknowledges this in a footnote but then in the narrative blithely ignores the footnote p. 259 n37). Unlike Hume, Blackburn has his passions ACT! For Blackburn the Neurathian ship of practical reason "is worked by a crew, each representing a passion or inclination or sentiment, and where the ship goes is determined by the resolution of conflicting pressures among the crew" p 245. The key issue is how to characterize such a resolution. In a backlash against a spectral Kantian/Korsgaardian Captain that rules the passions from some occult otherworldly perch, Blackburn wants to show how the passions rule. Note Blackburn's use of verbs. His passions/concerns/perspectives/values "contend," "deploy," "correct," "evaluate" "take up" (240, 262, 263, 267, 304, 313). Traditionally, that which does the contending or deploying or taking up or correcting or evaluating or, well, thinking is the self or the "I" or practical reason. Blackburn's reiteration of the argument against an ethereal Kantian 'Ich' doesn't by itself legitimate his distinctive understanding of the passions as active. This tension is present when Blackburn says "The self is no more passive when our concerns are contending for a controlling say in our direction, than a parliament is passive when it debates a law." The question arises, what in this example is the relationship between "the self" and "our concerns"? Blackburn's point against Kant is that such a self can't be totally divorced from its concerns. Again and again he says THE mistake is to objectify the passions and thereby make them passive. Instead of treating the passions as passive objects Blackburn claims they act, they RULE. What role remains for the self? Does the unitary self devolve into a "parliament" and when civility breaks down into a Hobbesian/Nietzschean war of erupting drives? This issue keeps popping up as you read Blackburn. "I can take up a critical perspective on any of my own basic desires and concerns, in the light of my other basic desires and concerns" (p. 267). Here again we have an "I" that performs a verb ("takes up a critical perspective on") on desires and concerns. Is this activity itself just one more passion? Does this "I" (or the earlier parliamentary "self") reduce without remainder to our inventory of concerns? I don't think it quite does. The "I" or "self" or practical reason seems to be the arena within which and by means of which the passions contend. Parliamentary debate is importantly different from rule by referenda, i.e., _Ruling Passions_.
Rating: 
Summary: Pretentious at Best
Review: This book is definitely not for the lay person. The subjects dealt with are not too dificult, rather his prose is awful, and makes them difficult to understand. Then, once you go through the toil of disentangling the pertinent points from the mountains of fluff, you will find that his arguments are half formed, at best.
My first criticism of this book is that his prose is simply awful. He jumps from one paragraph to the next sometimes without so much as a nod to the idea of coherence. He tries to be witty and colloquial, but, in the end, it all seems forced and does not help to get the point across, it only serves to provide another distraction. In addition, Blackburn is long winded in the extreme. Who needs 40 pages of game theory followed by a weak conclusion that does not relate to the rest of the book?(see ch. 6, esp pp. 196-199) Game theory is simple, if he had cut the fluff, he could have done it in less than fifteen.
If you are willing to put up with sub-standard writing, then you must ask yourslef if you are willing to put up with sub-standard philosophy. Blackburn is great at creating problems, but he is less than great at creating solutions for them.(again see ch. 6 on game theory and ch. 9 on relativism in particular) He tends to get so bogged down in the details of his philosophy that he outright ignores the larger picture. Relatedly, he also relentlessly weighs the text down with obscure technical terms when they are not necessary. He is the reason that many philosophy majors become continental philosophers.
Now, why should you listen to me? I have spent an entire semester on this book alone. I have read it nearly three times, I am quite familiar with it. While I do disagree with Hume and the sentimentalist tradidition on which this book is based, I enjoy reading Hume and others in the same vein. Hume's moral philosophy was well thought out and comprehensive. Blackburn's is not. In a way, reading Blackburn is like watching a poor remake of a masterpiece. (recall The Truth About Charlie) If you are interested in the sentimentalist tradidition, you could do no better than reading Humes' Enquiry Concerning the Principles of Morals, which, despite the fact that it was written 250 years ago, is eminently more accesible, and the ideas are essentially the same as Blackburn's.
To be fair, there are some nice points in the book, mostly in the first three chapters, and especially in the second one, but, in the final analysis, there is not enough meat, and not meat of enough quality, in this work to justify the toil necessary to extract it. Instead, if you are interested, look to the master hinself, David Hume.
Rating:
Summary: Pretentious at Best
Review: This book is definitely not for the lay person. The subjects dealt with are not too dificult, rather his prose is awful, and makes them difficult to understand. Then, once you go through the toil of disentangling the pertinent points from the mountains of fluff, you will find that his arguments are half formed, at best.
My first criticism of this book is that his prose is simply awful. He jumps from one paragraph to the next sometimes without so much as a nod to the idea of coherence. He tries to be witty and colloquial, but, in the end, it all seems forced and does not help to get the point across, it only serves to provide another distraction. In addition, Blackburn is long winded in the extreme. Who needs 40 pages of game theory followed by a weak conclusion that does not relate to the rest of the book?(see ch. 6, esp pp. 196-199) Game theory is simple, if he had cut the fluff, he could have done it in less than fifteen.
If you are willing to put up with sub-standard writing, then you must ask yourslef if you are willing to put up with sub-standard philosophy. Blackburn is great at creating problems, but he is less than great at creating solutions for them.(again see ch. 6 on game theory and ch. 9 on relativism in particular) He tends to get so bogged down in the details of his philosophy that he outright ignores the larger picture. Relatedly, he also relentlessly weighs the text down with obscure technical terms when they are not necessary. He is the reason that many philosophy majors become continental philosophers.
Now, why should you listen to me? I have spent an entire semester on this book alone. I have read it nearly three times, I am quite familiar with it. While I do disagree with Hume and the sentimentalist tradidition on which this book is based, I enjoy reading Hume and others in the same vein. Hume's moral philosophy was well thought out and comprehensive. Blackburn's is not. In a way, reading Blackburn is like watching a poor remake of a masterpiece. (recall The Truth About Charlie) If you are interested in the sentimentalist tradidition, you could do no better than reading Humes' Enquiry Concerning the Principles of Morals, which, despite the fact that it was written 250 years ago, is eminently more accesible, and the ideas are essentially the same as Blackburn's.
To be fair, there are some nice points in the book, mostly in the first three chapters, and especially in the second one, but, in the final analysis, there is not enough meat, and not meat of enough quality, in this work to justify the toil necessary to extract it. Instead, if you are interested, look to the master hinself, David Hume.
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