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Rating: 
Summary: Global/local poetics reign splendidly in this collection...
Review: Although this book based on a set of talks at SUNY Binghampton in 1989 has been hard to get (except in library collections), its impact has been instant and abiding: the collection is still being used by cultural critics and social science scholars from England to Australia and Taiwan, as I found out during my visit there as National Science fellow in 1995 where it was being used to help map cosmopolitan-yet- local strategies of "Asian/Pacific Cultural Studies." Anthony King's collection, with a stunning and much-cited essay on transnational and ethnic complications of cultural identity in England by Stuart Hall called "The Local and the Global: Globalization and Ethnicity," on the one hand, and rather more homogenizing and predictable mappings of the capitalist culture of globalization by major sociologists like Immanuel Wallerstein and Rowland Robertson on the other, opens up the problematics of mapping global and local interactions, flows, contradictions, and synergies. King's own solid scholarship inquiring into the colonial infrastructures of transnationalizing global cities gave him a solid base on which to construct such cultural and ideological dialogues across disciplines and areas, and the collection remains a site where critical dialogue and trans-disciplinary interaction did take place. In sum, the collection shows how some emerging new sensibility of "global paradox" complicates the globsl/local power of the local, sub-national, ethnic, and tribal to alter the seamless workings of global domination and transnational restructuration. Noteworthy in the collection, as well, are powerful critiques of reigning globalization models by Ulf Hannerz ("Scenarios for Peripheral Cultures") and an internal critique of the whole collection by Barbara Abou-El-Haj, who shrewdly remarks of such models (as theorized by the keynote speakers in the collection, Hall and Wallerstein), "Our ambition to do equal justice to the global and local is limited at the outset by our failures to generate a comparative language beyond the set of tiny binaries which reproduce the global regime in the very attempt to eviscerate it: center/periphery, core/periphery, western/non-western, developed/developing, etc." This trans-disciplinary way of theorizing and representing global/local interactions called for in the collection does comprise what Abou-El-Haj notes is "a qualitative step forward." Subsequent collections of national/transnational interaction like Donald Pease and Amy Kaplan, eds., Culture of United States Imperialism (Duke University Press, 1993) and Inderpal Grewal and Caren Kaplan, eds., Scattered Hegemonies: Postmodernity and Transnational Feminist Practices (Minnesota UP, 1994) have been working out the far-reaching implications of these new global/local discourses and frames.
Rating:
Summary: Global/local poetics reign splendidly in this collection...
Review: Although this book based on a set of talks at SUNY Binghampton in 1989 has been hard to get (except in library collections), its impact has been instant and abiding: the collection is still being used by cultural critics and social science scholars from England to Australia and Taiwan, as I found out during my visit there as National Science fellow in 1995 where it was being used to help map cosmopolitan-yet- local strategies of "Asian/Pacific Cultural Studies." Anthony King's collection, with a stunning and much-cited essay on transnational and ethnic complications of cultural identity in England by Stuart Hall called "The Local and the Global: Globalization and Ethnicity," on the one hand, and rather more homogenizing and predictable mappings of the capitalist culture of globalization by major sociologists like Immanuel Wallerstein and Rowland Robertson on the other, opens up the problematics of mapping global and local interactions, flows, contradictions, and synergies. King's own solid scholarship inquiring into the colonial infrastructures of transnationalizing global cities gave him a solid base on which to construct such cultural and ideological dialogues across disciplines and areas, and the collection remains a site where critical dialogue and trans-disciplinary interaction did take place. In sum, the collection shows how some emerging new sensibility of "global paradox" complicates the globsl/local power of the local, sub-national, ethnic, and tribal to alter the seamless workings of global domination and transnational restructuration. Noteworthy in the collection, as well, are powerful critiques of reigning globalization models by Ulf Hannerz ("Scenarios for Peripheral Cultures") and an internal critique of the whole collection by Barbara Abou-El-Haj, who shrewdly remarks of such models (as theorized by the keynote speakers in the collection, Hall and Wallerstein), "Our ambition to do equal justice to the global and local is limited at the outset by our failures to generate a comparative language beyond the set of tiny binaries which reproduce the global regime in the very attempt to eviscerate it: center/periphery, core/periphery, western/non-western, developed/developing, etc." This trans-disciplinary way of theorizing and representing global/local interactions called for in the collection does comprise what Abou-El-Haj notes is "a qualitative step forward." Subsequent collections of national/transnational interaction like Donald Pease and Amy Kaplan, eds., Culture of United States Imperialism (Duke University Press, 1993) and Inderpal Grewal and Caren Kaplan, eds., Scattered Hegemonies: Postmodernity and Transnational Feminist Practices (Minnesota UP, 1994) have been working out the far-reaching implications of these new global/local discourses and frames.
Rating:
Summary: Can i review your indice?
Review: My interest is for the impact of globalizacion in México and LA
Rating:
Summary: Can i review your indice?
Review: My interest is for the impact of globalizacion in México and LA
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