Description:
Amy Sohn lives in New York, where she writes a raunchy column for the New York Press called "Female Trouble." Her first novel features a young woman named Ariel Steiner, who lives in New York and writes a raunchy column called "Run Catch Kiss" for City Week. Any other similarities between author and creation are, no doubt, purely accidental. We first meet Ariel the summer after her graduation from college when she returns to the city, ready to resume the acting career she had as a child. Unfortunately, college not only enlarged Ariel's mind--it had a broadening effect on her body as well. "I can't send you out for any ingenue parts until you lose fifteen pounds," her agent tells her. Ariel is sure this won't take long and indulges in an optimistic fantasy about the fame and fortune that will soon come her way once she's lost the weight--an appearance in a George C. Wolfe production; a walk-on in a George Clooney film; an Oscar-winning performance in a Woody Allen movie, complete with requisite Oscar fantasy: "I'd bring my father as my date, and when Jack Palance opened the envelope and announced me as the winner, I'd run up to the stage in a strapless Chanel and they'd cut to a shot of my dad drowning in a sea of his own mucus." But until the day when Ariel Steiner becomes the third part of a Hollywood girl-triumvirate comprised of herself, Gwyneth, and Winona, a girl's got to eat; and so begins a ribaldly picaresque journey from actress wannabe to infamous New York sex columnist--"the Hester Prynne of downtown." Run Catch Kiss is a novel that will appeal to a very specific audience--fans of Amy Sohn; young college graduates who'd like to imagine it's really this easy to achieve notoriety in a city like New York; and readers who enjoy lots of name-dropping, club-hopping, and frank descriptions of sex and other bodily functions. Sohn includes several of Ariel's columns ("Stench of a Woman," for example, or "Smutlife") as well as the letters she gets in response. In between, Ariel and her cronies and assorted one-night stands hang out in places with names like BarF and BarBarella, and drop pop references to Gen-X movies and music. Sohn delivers it all up with moxie, making up for the novel's literary weaknesses by sheer full-frontal outrageousness. --Alix Wilber
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