Italian Backgrounds

Rating:
Summary: She knows her Italy!
Review: "Italian Backgrounds" by Edith Wharton is a somewhat charming travel book (a quick read) about her time in Italy as its veteran traveler. The piece is not written in a narrative, but is rather more thematically arranged. Wharton doesn't write about the Doges Palace or the Duomo, her milieu is the deeper background of the dedicated traveler.

The title comes from her theme derived from an analogy that traveling in Italy involves various areas of a painting. Italian paintings, she writes, have fore- middle- and backgrounds. The two-or three-day tourist in Venice spends all his or her time in the foreground, traipsing the well-established routes and keeping to the guidebooks. If one has more time, one can go farther into the "painting" by discovering more, and, of course, finally, as Wharton herself has done, one can dwell in the backgrounds, knowing the country well, understanding all its eras and its different brands of beauty.

Wharton is a harsh art critic, and much of the book deals with her assessments of lesser known (to me as the foreground tourist of Italy) artists and their works. My favorite chapter retold the story of her identifying some mislabeled statuary in Tuscany as belonging to a different artist and era altogether.

It was pleasant to read. For me, I am a fan of Wharton, so enjoyed this look into her experiences and the life of her mind.