| Description:
 
 Final Draft AV fills a niche that Final Draft's screenwriting  software ignored: creation of two-column audio-video scripts and  audio-only scripts for radio. Television news writers, segment producers, and  ad writers usually create scripts with video in the left column and  audio in the right column. Writers who don't have access to a  professional scriptwriting system like Basys or Avstar usually insert  text into existing script templates, or patch something together using  tables and columns in a word processing program. As both of these  options scream "hack!" students and freelancers will welcome Final  Draft's venture into this format of scripting.
   That said, Final Draft AV feels like a TV-writing program designed by  screenwriters. The two columns are there, it's easy and intuitive to  move between them, and the video column does stay aligned with the  matching audio column. But there are also some glaring omissions. The  program doesn't provide estimated times for scripts, nor does it  provide a space to input actual running time once a script is produced.  Some of the automatic functions are unnecessary: each time the writer  tabs from the video column to the audio column, the program  automatically underlines and adds a colon to whatever is written.  Useful for screenwriters, who write dialog between characters that must  adhere to a strict punctuation format, it's useless for segment  producers, who usually have one narrator reading their copy.    Also, though the user's manual says that importing and exporting  scripts to and from Final Draft AV from other word processors is simply  a matter of making sure they're saved in rich text format, we couldn't  successfully manage it with a multipage script for a half-hour cooking  show without going back and forth between the scripts and then  performing major surgery on the mashed together copy. We think the  Frankenscript occurred because there isn't one "right" way to write a  script for TV: unfamiliar capitalization and spacing confused Final  Draft AV, so the program just crammed it all together. Scripts can be  transitioned smoothly between computers if both were written in Final  Draft AV. And Final Draft AV scripts can go from PCs to Macs with no  hang-ups.    Using Final Draft AV is still a lot better than building homemade  script templates with your word processor, but a template is really all  this program provides. It will probably work well for student projects,  single segments, and ad scripts. But if you want to use this program to  develop and produce a multisegment half-hour show, you'll have to pull  out your stopwatch and your calculator. --Anne Erickson
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