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The Decalogue (Complete Set)

The Decalogue (Complete Set)

List Price: $79.99
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Rating: 5 stars
Summary: The brain dead need not apply .....
Review: I was introduced to this set of DVD's through one of the listamania lists here in Amazon. What a profound surprise!

The director, Kieslowski unfortunately will never know or see the appreciation of a world wide audience of this stupendous piece of cinematography since he passed away in 1996.

Kieslowski filmed these 10 full one hour movies in Poland which allowed him to use artistic licence to accentuate only the important iisues of the subject matter. We are not disrupted in the viewing by unncessary eye candy or gratuitous action as the director gently leads us to concentrate on the subject matter at hand. The acting in these films is so crisp and clear one can see that it was a labour of love. In Decalogue One the face triumph and pride of the young son as his father defeats a chess champion is something that will stay with me for as long as I live, unbelievable strength of emotion that is rare to see.

Although the decalogue is presented to the viewer as Kieslowskis' presentation of the ten commandments in the real world, I found that trying to find the hidden religious messages was a waste of time since the films have considerable more depth and meaning.

Even though the DVD's lack much of a today's wide angle super techinicolour pizzaz (I never even knew that dolby digital mono sound tracks existed) this is a must have set for anyone that wants to watch a true masters work.

Rating: 4 stars
Summary: A must for Kieslowski fans, but a bad DVD production
Review: The Decalogue is an absolute must for the Kieslowski fan. A set of ten films produced for Polish television illustrates the ten commandments. Music by Kieslowski's friend Preisner. Same strong combination you have seen in the Red, White, Blue trilogy.

Unfortunately, the DVD production is disappointing. You can't switch off the subtitles and I personally find this very annoying. On the other hand, the DVD is not region-coded. Since there is no DVD release of the Decalogue in Europe yet, this set is the choice for the real Kieslowski fan, but not for someone who just wants to check out this director. Buy Blue instead then.

Rating: 5 stars
Summary: Epic
Review: The Decalogue is perhaps the finest television mini-series ever. It is also one of the finest movies ever. If you are put off by the pretentious sounding concept of ten short films based around the ten commandments, fear not. Kieslowski approaches each topic from a very human perspective, not allowing simple moral conclusions to show the viewer that "sin is bad" and hell awaits you. This movie is about humanity. Nothing less, yet it connects on a personal level as well as a spiritual one. Inspiring.

Rating: 5 stars
Summary: An essential for Kieslowski fans, film lovers, and humanity
Review: Those familiar or fond of Krystof Kieslowski's ambitious "Trois Couleurs: Bleu, Blanc, et Rouge" Trilogy need look no further for proof that Kieslowski is one of the greatest directors in the history of film. Sure, he didn't have a "Citizen Kane" or a "Godfather" in his repertoire, but he does have a film that, in some respects, nearly equals those works: "The Decalogue." Sure, it sounds like a gimmick, and even a turn-off to those not interested in Biblical adaptations. The great thing about "The Decalogue" is that it's neither of those. Kieslowski's film spends just under an hour with each one of the Ten Commandments, exploring through average citizens of Poland the moral implications and quandries of each commandment. Don't try and figure out how each film directly connects with each commandment, though. Really, the ten films overlap in the different commandments that they contain - "Decalogue One: Thou Shalt Have No Other Gods Before Me" seems the most direct relation to its commandment in the whole series, while "Decalogue Two: Thou Shalt Not Use The Name of the Lord In Vain:" seems an abtstract correlation at best. The point of these simplistic yet powerful films lies not in explaining the commandments - "The Decalogue" takes universal issues within humanity and places them on the screen with beautiful subtlety, while profound explanations lurk beneath the surface. Each film has a basic plot, and within it lies an examination of the basic morals that lie within the commmandments and intwine deeply in human nature. Quite simply, "The Decalogue" is an essential experience for film buffs and humans in general.
A FEW NOTES ABOUT "THE DECALOGUE":
1. Some are better than others (1,5, and 9 in particular) but all have their perks. Basically - watch them all!
2. While the notion of watching them all at once seems fun, these films are better when viewed one or a few at a time. A reviewer from Entertainment Weekly suggested watching over a period of a few days late at night. One can imagine the types of thoughts that would arise in THOSE dreams.
3. Each Decalogue is a very introspective experience for the viewer, but additional fun would definitely come from discussing them with friends.
4. If you do purchase "The Decalogue," be ready for an unforgettable experience.

Rating: 5 stars
Summary: See what the fuss over Kieslowski is about
Review: "The Decalogue" is a series of 10 films based roughly on the Ten Commandments and is directed by the renowned Polish director Krzysztof Kieslowski. Each film or part of "The Decalogue" is about one hour in length and is independent of the other parts, but have some of the same characters in the background or in passing from other episodes.

Although the films of "The Decalogue" are supposed to be, to some extent, based on the Ten Commandments -- there is not a direct commandment to episode relationship. Several of the episodes deal with adultery and some episodes deal with more than one commandment. Overall, I would say the stories themselves are depressing. Nevertheless, the plots are captivating and the way the stories are put together is intriguing. While watching these 10 films of "The Decalogue," you know are watching something great and know why Kieslowski is attributed with being clever at his craft.

"The Decalogue" was originally aired on Polish television, but two episodes were expanded into the films "A Short Film About Love" and "A Short Film About Killing" (both about 1.5 hours long) and received a larger audience.

"The Decalogue" includes many of Poland's most famous actors, including Boguslaw Linda, Zbigniew Zamachowski, Mirislaw Baka, and Krystana Janda.

This new release of "The Decalogue" contains 3 disks, which include:

* "Roger Ebert on The Decalogue"
* The 10 parts (or episodes) of The Decalogue series
* "On the Set of The Decalogue" (1988)
* "Kieslowski Meets the Press" (1988)
* "Kieslowski Known and Unknown" (1998)

Furthermore, a small booklet is included that has information on the actors and information on "The Decalogue." As a set, this series will provide a lot of entertainment with a total running time of about 584 minutes. "The Decalogue" is in Polish with English subtitles.

Rating: 4 stars
Summary: Thou shalt not...
Review: Krzysztof Kieslowski obviously had a thing about "theme" series -- the Color trilogy, the unfinished "Heaven" project... and of course, the Decalogue, a wonderful collection of made-for-TV movies that focuses on the Ten Commandments. Kieslowski's style is not at its most polished here, but unpolished Kieslowski is still magnificent.

Kieslowski ran the full range of emotions in the Decalogue -- he'll make you laugh, then cry, then stare in disbelief. In one, he presents a man and his son "playing God" with a computer; in another, a murder is followed by execution ("thou shalt not kill"); a woman lures her lover away from his family on Christmas Eve ("keep holy the Sabbath"); and the delicious black comedy where two brothers inherit their dad's valuable stamp collection ("thou shalt not covet thy neighbor's goods").

By Hollywood standards, the Decalogue probably shouldn't exist. Not only is it religiously-themed, but was made on a very small budget and written in under two years. But Kieslowski proved his mastery by creating the one-hour short movies (two were screened in longer form), and loosely stringing them together.

Don't expect the obvious in Kiewslowski's movies. This is no Sunday-school storytelling, with hell awaiting two-dimensional sin. It's a series of delicate, subtle stories about people who seem real, rather than allegorical paper dolls. At times, Kieslowski becomes too heavy-handed, like in the admirable (but obvious) fifth story about capital punishment. Okay, we get it -- all death is terrible. However, he's subtle more often than not.

As with the Colors trilogy, there's a web of interconnected stories, with characters who brush by each other but don't actually touch. Not to mention that mute guy who watches from the sidelines -- a Kieslowski touch. But there the resemblance ends. The settings are bleaker, and the characters are less effervescent. But under the grayness and grime is his undeniable talent, his sense of sadness and gravity, and his sympathy for those who stumble morally.

Krzysztof Kieslowski used a tiny budget and bleak backdrops to create a modern masterpiece, a sprawling movie in ten parts. Watch the commandments, one by one, in the form of the Decalogue.

Rating: 4 stars
Summary: Thou shalt not...
Review: Krzysztof Kieslowski obviously had a thing about "theme" series -- the Color trilogy, the unfinished "Heaven" project... and of course, the Decalogue, a wonderful collection of made-for-TV movies that focuses on the Ten Commandments. Kieslowski's style is not at its most polished here, but unpolished Kieslowski is still magnificent.

Kieslowski ran the full range of emotions in the Decalogue -- he'll make you laugh, then cry, then stare in disbelief. In one, he presents a man and his son "playing God" with a computer; in another, a murder is followed by execution ("thou shalt not kill"); a woman lures her lover away from his family on Christmas Eve ("keep holy the Sabbath"); and the delicious black comedy where two brothers inherit their dad's valuable stamp collection ("thou shalt not covet thy neighbor's goods").

By Hollywood standards, the Decalogue probably shouldn't exist. Not only is it religiously-themed, but was made on a very small budget and written in under two years. But Kieslowski proved his mastery by creating the one-hour short movies (two were screened in longer form), and loosely stringing them together.

Don't expect the obvious in Kiewslowski's movies. This is no Sunday-school storytelling, with hell awaiting two-dimensional sin. It's a series of delicate, subtle stories about people who seem real, rather than allegorical paper dolls. At times, Kieslowski becomes too heavy-handed, like in the admirable (but obvious) fifth story about capital punishment. Okay, we get it -- all death is terrible. However, he's subtle more often than not.

As with the Colors trilogy, there's a web of interconnected stories, with characters who brush by each other but don't actually touch. Not to mention that mute guy who watches from the sidelines -- a Kieslowski touch. But there the resemblance ends. The settings are bleaker, and the characters are less effervescent. But under the grayness and grime is his undeniable talent, his sense of sadness and gravity, and his sympathy for those who stumble morally.

Krzysztof Kieslowski used a tiny budget and bleak backdrops to create a modern masterpiece, a sprawling movie in ten parts. Watch the commandments, one by one, in the form of the Decalogue.

Rating: 4 stars
Summary: The critical life of a film
Review: "Vertigo" is a movie that has gone through several seasons of popularity among critics. While it was missing from public view it was routinely rated as one of the best films of all time, sometimes the best. Recently it seems to be popular to downgrade the film a little, on various grounds. An internet critic, who shall mercifully go unnamed, actually rated films like "Spinal Tap" and "Aliens" much higher - silly.

While out of sight, "The Decalogue" became associated with similar praise, and recently was picked as the #2 film of all time on one list. Now that this DVD set is out, perhaps it's time to take it down a notch or two. Should it be seen? Yes, it's worth the steep price, which is after all for essentially five feature length films. But one of the top films of all time? No, having lived with it for awhile, definitely not.

First, if one's previous experience with Kieslowski was "Three Colors", you have to be dramatically disappointed with the look and feel of the films. There are few of the incredible touches he displayed in the trilogy films here. Perhaps it was dealing with ten different casts and cinematographers, but there is little that stands out here which exalts the pure craft of making a film in the way that "Blue" showed, for example. Well, it was 1988 in Poland, the landscapes are pretty bleak compared to Paris, they were done for Polish TV on who knows what budget - too be expected, but disappointing nevertheless, to say differently would not be honest.

The performances and the actors? Very good, brilliant at times. I recognized none of them, not really, and there are many performances in these films that rival anything seen in "major" motion pictures. First rate, there.

Overall, I have to say, the people are far too much of a sad lot. Suicide is a constant theme here, was Poland really that depressing? Maybe, all the horrible flats, with no hot water and the awful little cars - he was agressively non-political, supposedly, but the social commentary is self-evident. One thing for sure, it won't do much for tourism. I'm sure it's not as dank as 1988, but I'm rather glad to be shut of the place, to discover the sun still shines outdoors.

But it's the stories that fall down for me. Some were excellent, particulary Two, Four and Ten, very clever. But others were preachy and maudlin, particularly One and Five. Oh, what is the point of One, anyway? Don't tempt God? Please. And the anti-capital punishment theme of Five bludgeons one worse than the murderer. Even the victim is made to appear unsympathetic, why? The whole thing appears arranged merely to allow the young attorney to pour out his horror with the process in the end. The theme of Seven has been done before several times, both in the basic thread of the story and in the feel, and I found nothing new here that added much. Six I found to be silly and predictable. Eight promised much, but the explanation for the teacher's actions produced a pronounced thud. I think it's possible that in attempting a project of this size, fatigue may have simply not allowed him to be more clever, both with the stories and the camera.

So, in the end, I'd have to say that I enjoyed the experience of seeing it, and, like any good movie, I won't forget some of the people in the films. But I did not come away from the film thinking as hard about what I had seen as some of the critics claim they did, no re-thinking my life, I'm afraid. That's how good it's suppose to be. I'm sorry to say it isn't.

Rating: 5 stars
Summary: See what the fuss over Kieslowski is about
Review: "The Decalogue" is a series of 10 films based roughly on the Ten Commandments and is directed by the renowned Polish director Krzysztof Kieslowski. Each film or part of "The Decalogue" is about one hour in length and is independent of the other parts, but have some of the same characters in the background or in passing from other episodes.

Although the films of "The Decalogue" are supposed to be, to some extent, based on the Ten Commandments -- there is not a direct commandment to episode relationship. Several of the episodes deal with adultery and some episodes deal with more than one commandment. Overall, I would say the stories themselves are depressing. Nevertheless, the plots are captivating and the way the stories are put together is intriguing. While watching these 10 films of "The Decalogue," you know are watching something great and know why Kieslowski is attributed with being clever at his craft.

"The Decalogue" was originally aired on Polish television, but two episodes were expanded into the films "A Short Film About Love" and "A Short Film About Killing" (both about 1.5 hours long) and received a larger audience.

"The Decalogue" includes many of Poland's most famous actors, including Boguslaw Linda, Zbigniew Zamachowski, Mirislaw Baka, and Krystana Janda.

This new release of "The Decalogue" contains 3 disks, which include:

* "Roger Ebert on The Decalogue"
* The 10 parts (or episodes) of The Decalogue series
* "On the Set of The Decalogue" (1988)
* "Kieslowski Meets the Press" (1988)
* "Kieslowski Known and Unknown" (1998)

Furthermore, a small booklet is included that has information on the actors and information on "The Decalogue." As a set, this series will provide a lot of entertainment with a total running time of about 584 minutes. "The Decalogue" is in Polish with English subtitles.

Rating: 3 stars
Summary: Worth the experience, but...
Review: After watching all ten hours of The Decalogue (plus extras), I must say I wasn't all that impressed. It was worthwhile as the chance to see the early work of a director who later gained international repute, but not particularly entertaining or rewarding to actually view. The acting is terrific, some of the camera work and individual shots approach being memorable, and there were various interesting elements I'll discuss further in a moment. However, the picture quality is generally poor (understandable under the circumstances of creation), the subtitling is inconsistent, and the stories are all very gloomy and depressing except the tenth film. ("Decalogue Ten" was supposed to be "humorous" according to Kieslowski's comments in the brief "On The Set" featurette. I grinned once and never even chuckled at all. At least it wasn't so grim as the other nine tales.)

As to the interesting aspects of these ten films, one is how the characters overlapped sometimes from film to film. and that's NOT including the "silent observer" who appears in each film, a linking element I found relatively pointless to the level of annoyance.

Film critics apparently have a professional code that forces them to describe nearly every foreign film as a masterpiece. I'm not living under any such code, so I'm free to be honest and just say I didn't like The Decalogue all that much.


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