Rating: 
Summary: Price, Lorre and Rathbone in a Poe Anthology Film
Review: Mention Roger Corman's 1962 "Tales of Terror" and you immediately think of Vincent Price teaming up with Peter Lorre and Basil Rathbone. But for me this film owes as much to writer Richard Matheson, who adapted four Poe stories into three film vignettes. "Morella" is another one of those dark family secret stories. The title character (Leona Gage) had died in childbirth 26 years before, cursing her baby daughter. When Leonora (Maggie Pierce) comes home suffering from a fatal disease, she discovers her father Locke (Price) has been keeping mom's mummified corpse in his bedroom. "The Black Cat" also works in elements of Poe's "The Cask of Amontillado." Montressor Herringbone (Lorre) finds out his wfie Annabel (Joyce Jameson) is having an affair with Fortunato Lucresi (Price), a rather foppish wine connoisseur. Unexpectedly funny because of the comic performances of the two stars, the story is this sequence inspired Corman to make "The Raven." Finally, "The Facts in the Case of M. Valdemar," an elderly man (Vindent) whose dying days have been eased in part because of a hypnotist, Carmichael (Rathbone), whos wants to hypnotize Valdemar at the moment of death. The experiemnt succeeds, after a fashion, but Carmichael refuses to release Valdemar until his wife Helene (Debra Paget) agrees to marry him. "Tales of Terror" is noteworthy for two particular impacts it had on horror films. The first was the emergence of anthology films that followed in its wake, such as "Dr. Terror's House of Horrors" and "Black Sabbath." The second was the revival of interest in former movie stars at American International, which would soon add Boris Karloff to their roster. The stand out segment of this film is certainly "The Black Cat," with Lorre and Price showing marvelous comic timing. Lorre takes such perverse glee in walling up his wife and Price, plus there is nothing like the macabre politeness of movie villains . There is something transcendent about watching these old Hollywood pros have fun with taking these roles so seriously, so to speak.
Rating:
Summary: Fine anthology
Review: Vincent Price stars in three shorts all based on Edgar Allen Poe stories. This was the first of the Roger Corman - Poe films I ever saw and it left an impact on me. Morella is the opening story and I feel it is the best and the one that is most like the rest of Corman's Poe films. Price is good at riding on the edge insanity while livng in a cob web covered house with his dead wife louning in a back room waiting to rise. Peter Lorre shows up in the Black Cat which is a combination of that story and the Cask of Amontillado. This entry is one of those horror - comedies that is very similiar to Corman's Raven. Price and Lorre both have some fine moments in this film including the dream sequence where Lorre's head is being tossed around like a ball. The Case of M.Valdemar comes last and this one has Basil Rathbone doing scientific experiments with Vincent Price with the expected ghastly results. Price has to were some gooey make-up in this one that was hot when they put it on. Price does great at playing a victim in these three different stories and there are some good people in the supporting cast. This one has the standards you expect in one of Corman's - Poe films, we have castles, corpses and killings.
Rating: 
Summary: A wonderful horror anthology
Review: Vincent Price leads an all-star cast in this horror film. Price appears in all three segments. In the first, he plays a man named "Locke" who blames the death of his wife on his daughter who's just came back after 26 years. This is great, verbal horror sort of like a throwback to "Night Gallery" or other dramatic anthology shows, where the horror is in the character's personality and not in the graphics. only the final minutes does the story turn into what AIP movie goers expect. The second story, as has been voted by mostly all on here, is the stand-out. Peter Lorre and Joyce Jameson team up with Vincent in a re-telling of "Cask of Amontillado" but re-titled "The Black Cat". If you've heard or read the story, you pretty much know what's going to happen...the wine tasting scene is hilarious. The final segment offers Basil Rathbone and Vincent although Rathbone has the most action as Price's character, Valdemar, is bed-ridden. Rathbone plays an evil mesmerist who mentally tortures Valdemar's wife and keeps Valdemar in suspended animation you could say in an effort to kill him and run off with the wife! The segment ends with a memorable scene that isn't really sick...but it's not for the squeamish, either! It's one of Rathbone's finest roles, aside from Sherlock Holmes and the hilarious nut-case character in "Comedy of Terrors". This film came along in 1962. At 85 minutes in length, it's short for a feature-length film...but the material and the first-rate acting by everyone make it seem even SHORTER!!
Rating:
Summary: It may be Uneven for Some but it`s Sure is Fun.
Review: Three Segments are Told in the Stories from the Works of Edgar Allan Poe. The Segments are:Morella-About a Dying Father (Vincent Price) and also His Dying Daughter (Maggie Pierce) trying to Make Peace until thier Ghostly Mother (Leona Gage) comes to Haunt Them. The Black Cat-About a Alhocolic (Peter Lorre), Who takes Revenge on his Adulterous Wife (Leona Gage) and Her Rich Lover (Vincent Price). The Last:The Cast of M.Valdemar-When a Dying Millionaire (Vincent Price), who wants the Best for his Beautiful Wife (Debra Paget) but When he died, but His Mind is Still Alive, a Greedy Doctor (Basil Rathbone) wants to use his Mind for His Own Amusement. Directed by Roger Corman (The Intruder, Little Shop of Horrors-1960, The Raven) made an Uneven Anthology of Horror Stories but This Flick does have a Few Moments of Scared and the Tongue in Cheek Humor. The Movie does have a Terrific Score by Les Baxter and a Strong (Often Bizarre) Cinematography work by Floyd Crosby, also the Screenplay is by Novelist and Screenwriter:Richard Matheson (I Am Legend, Stir of Echoes) are One of the few High-Lights of this Cult Horror Classic. The Best Segment is:The Black Cat, Which is Funny and Bizarre Entertaining Story. Unrated but Equivalent to a PG-Rating for Brief Violence and Tense Situations. Panavision. Grade:B+.
Rating: 
Summary: Tales of tepid terror
Review: What happens when you take great actors (Vincent Price, Peter Lorre, Basil Rathbone), a great writer (Richard Matheson), great source material (E.A. Poe) and a passable director (Roger Corman) and have them make a movie? Nothing very good, as it turns out. This movie is actually three short movies linked by Price's narration. The first story deals with a young woman who returns to the home of her father, a recluse tormented by the death of his wife; how she died is not really clear, but she is nonetheless intent on revenge. The second story - the best of the three - is a take-off on the Cask of Amontillado with Lorre as a murderous drunk. The final story has Rathbone as a mesmerist who traps Price in a state between life and death. All three stories have potential, the first and last for horror, and the middle one for humor. Unfortunately, none of the stories are executed well, a fault that seems to lie primarily with Corman. For fans of the Poe movies of the sixties (directed primarily by Corman), this might be worth watching, but for horror fans, it is best to look elsewhere.
Rating:
Summary: Price, Lorre and Rathbone in a Poe Anthology Film
Review: Mention Roger Corman's 1962 "Tales of Terror" and you immediately think of Vincent Price teaming up with Peter Lorre and Basil Rathbone. But for me this film owes as much to writer Richard Matheson, who adapted four Poe stories into three film vignettes. "Morella" is another one of those dark family secret stories. The title character (Leona Gage) had died in childbirth 26 years before, cursing her baby daughter. When Leonora (Maggie Pierce) comes home suffering from a fatal disease, she discovers her father Locke (Price) has been keeping mom's mummified corpse in his bedroom. "The Black Cat" also works in elements of Poe's "The Cask of Amontillado." Montressor Herringbone (Lorre) finds out his wfie Annabel (Joyce Jameson) is having an affair with Fortunato Lucresi (Price), a rather foppish wine connoisseur. Unexpectedly funny because of the comic performances of the two stars, the story is this sequence inspired Corman to make "The Raven." Finally, "The Facts in the Case of M. Valdemar," an elderly man (Vindent) whose dying days have been eased in part because of a hypnotist, Carmichael (Rathbone), whos wants to hypnotize Valdemar at the moment of death. The experiemnt succeeds, after a fashion, but Carmichael refuses to release Valdemar until his wife Helene (Debra Paget) agrees to marry him. "Tales of Terror" is noteworthy for two particular impacts it had on horror films. The first was the emergence of anthology films that followed in its wake, such as "Dr. Terror's House of Horrors" and "Black Sabbath." The second was the revival of interest in former movie stars at American International, which would soon add Boris Karloff to their roster. The stand out segment of this film is certainly "The Black Cat," with Lorre and Price showing marvelous comic timing. Lorre takes such perverse glee in walling up his wife and Price, plus there is nothing like the macabre politeness of movie villains . There is something transcendent about watching these old Hollywood pros have fun with taking these roles so seriously, so to speak.
Rating:
Summary: A wonderful horror anthology
Review: Vincent Price leads an all-star cast in this horror film. Price appears in all three segments. In the first, he plays a man named "Locke" who blames the death of his wife on his daughter who's just came back after 26 years. This is great, verbal horror sort of like a throwback to "Night Gallery" or other dramatic anthology shows, where the horror is in the character's personality and not in the graphics. only the final minutes does the story turn into what AIP movie goers expect. The second story, as has been voted by mostly all on here, is the stand-out. Peter Lorre and Joyce Jameson team up with Vincent in a re-telling of "Cask of Amontillado" but re-titled "The Black Cat". If you've heard or read the story, you pretty much know what's going to happen...the wine tasting scene is hilarious. The final segment offers Basil Rathbone and Vincent although Rathbone has the most action as Price's character, Valdemar, is bed-ridden. Rathbone plays an evil mesmerist who mentally tortures Valdemar's wife and keeps Valdemar in suspended animation you could say in an effort to kill him and run off with the wife! The segment ends with a memorable scene that isn't really sick...but it's not for the squeamish, either! It's one of Rathbone's finest roles, aside from Sherlock Holmes and the hilarious nut-case character in "Comedy of Terrors". This film came along in 1962. At 85 minutes in length, it's short for a feature-length film...but the material and the first-rate acting by everyone make it seem even SHORTER!!
Rating:
Summary: One of the Creepy Corman Classics
Review: Directed by the venerable king of quality low-budget filmmaking, Roger Corman, and scripted by the prolific and popular SF and horror writer Richard Matheson, TALES OF TERROR is comprised of three vignettes based on stories by Edgar Allan Poe. The incomparable Vincent Price stars in all three, with Peter Lorre and Basil Rathbone each co-starring (separately, alas) in one of the others. Any knowledgeable horror fans should be nearly euphoric after reading the credentials behind this flick--and they won't be disappointed! The first story is based on Poe's "Morella," but Corman and Matheson take great liberties to make the tale darker and scarier than the original. Unfortunately, the altered plot and its resolution (?) are a bit hard to follow, and it is therefore the weaker of the three plays. The second--and best!--vignette, "The Black Cat" is actually a composite of Poe's story of the same name and his "The Cask of Amontillado." Peter Lorre hilariously hams it up as the cuckolded Montresor Herringbone, and Vincent Price is also a riot as Herringbone's nemesis, Fortunato. In spite of the humor, however, there are still plenty of chills when Lorre builds a wall around his "problems." The final vignette, based on Poe's "The Facts in the Case of M. Valdemar," features the wonderful Basil Rathbone as the hypnotist who uses his powers to put the titular character, Valdemar (portrayed by Price), in a sort of limbo between life and death. Again, Corman and Matheson have taken liberties with the original story (e.g., making the hypnotist malevolent and self-serving), but this time it's to great effect, as Rathbone makes a delightfully devilish villain. The make-up job on Price in the final scene is pretty creepy, too, in spite of the film's low-budget effects. Good old-fashioned frights in this one. The DVD edition of TALES OF TERROR is short on extras (trailer only)--it would've been great to have a Corman commentary on this one, which many of the other MGM releases of Corman's films DO have--but seeing this film in widescreen makes it well worth the reasonable cost. A worthy addition to any fan of classic horror.
Rating: 
Summary: JUVENILE HODGEPODGE....
Review: Interesting but lame all-star trio of Poe stories that kids may find fun. Admittedly bravura cast saddled with tame treatment of Poe tales tries to make good but ultimately sink beneath the silliness. The script (by the normally reliable Richard Matheson) could have been a lot better. First story "Morella" features a horrible actress named Maggie Pierce who cannot hold her own with Vincent Price. The next two stories are tritely handled and so tame they're boring. Price (who's in all three), Peter Lorre and Basil Rathbone liven things up a bit but the results are disappointing on an adult level. The Corman touches are here but the film has a low budget quickie feel. Watch "Tomb of Ligeia" for a "Morella" type tale and stick with the other Corman/Price/Poe adaptations--they're more sophisticated and SO much better. As for this?---leave it for the kids.
Rating:
Summary: Vincent Price is the man!!
Review: First of all, let me say that Mr. Price was incredible on all three stories. Although the movie scripts of Matheson didn't convince me, Price saves the movie. I thought that all three stories were from Poe, and I think, after I saw the DVD, that they are like a 30% or so of Poe. I have read E. A. Poe since I was on Junior High, and I didn't remember "the black cat" as in the movie, but Price is superb!! Outstanding!! His face changed a lot through all Tales of terror!! And his interpretation of Valdemar was ultra cool!! Bravo, Mr. Price. There aren't many artists like U right now (besides Jack Nicholson, that is!!).
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